180 degree rule造句

• One way of preventing viewer disorientation in editing is to adhere to the "'180 degree rule " '.
• Wide-angle tracking shots are often used to help establish locations, as the film does not make usage of the 180 degree rule in its editing.
• The classical style embraces temporal and spatial continuity as a way of advancing narrative, using such techniques as the 180 degree rule, Establishing shot, and Shot reverse shot.
• And like temporal continuity, it can be achieved a number of ways : the establishing shot, the 180 degree rule, the eyeline match, and match on action.
• For example, the 180 degree rule is followed since crossing the 180 degree line will cause a disturbance or a jarring effect on the viewer, thus calling attention away from story and to the teller.
• Factors influencing the position of the off-camera eyeline ( usually by placing the other actors off camera but sometimes by giving the on-camera actor a mark to look at ) include the 180 degree rule, camera lens / height / distance to subject and geography of the set.
• With the establishing shot, 180 degree rule, eyeline match, and the previously discussed match on action, spatial continuity is attainable; however, if wishing to convey a disjointed space, or spatial discontinuity, aside from purposefully contradicting the continuity tools, one can take advantage of crosscutting and the jump cut.